And the Blue Room martini ain't have bad, neither. Which Swing Era bandleader danced and sang songs with slang and scat lyrics, dressed in zoot suit style, followed Duke Ellington's band at the Cotton Club, and had a hit with "Minnie the Moocher"? Benny Goodman's 1938 Carnegie Hall performance was the first time a high-profile big band performed publicly with an integrated band. Why can Coleman Hawkins be convincingly described as the father of the jazz tenor saxophone? As part of the reform, clubs were ordered to close at 2 a.m.; this killed many of the jam sessions that had made Kansas City's jazz so vital. Other Kansas City bands of note were led Fueled by the non-stop nightlife under political boss Tom Pendergast, Kansas City jam sessions continued until later than sunrise, fostering a highly competitive atmosphere and a unique jazz culture in which the goal was to "say something" with one's instrument, rather than simply show off one's technique. Better recordings led to a broad and active audience of listeners and consumers. introduced an energetic, joyful approach to swing. :). In most major cities you can locate sessions via the Internet. of reed instruments, especially the saxophone. PublishedSeptember 9, 2021 at 4:25 PM CDT. Jo Jones is known for shifting the rhythmic emphasis from the snare and bass drum to the hi-hat cymbal. What was Coleman Hawkins's "great musical innovation"? Here youll find luminaries such as pianist Tim Whitmers Quartet with Jim Mair, the Matt Villinger Trio and the Leslie McLean Trio. Freddie Green, and drummer Jo Jones. In the book Goin' to Kansas City, author Nathan W. Pearson quotes Jay McShann as saying rather bluntly, "Kansas City died after Pendergast." Maurice Milligan, writing for the Omaha Herald, advised his readers: "If you want to see some sin, forget about Paris and go to Kansas City." In what way did Louis Armstrong help to shape our understanding of the role of improvisation within jazz practice? Nathan W. Pearson, Jr., Political and Musical Forces That Influenced the Development of Kansas City Jazz. In the competitive, superheated climate of Jazz thrived in Kansas City, in part because of corruption: regulation was low, musicians and clubs faced fewer restrictions than they did elsewhere. The Phoenix. The Blue Monday Jam is incredible. A good economy grew up for musicians: One local musician, Charles Goodwin, said, "The town was wide-open during Pendergast's days, and you could make a living pretty well playing music if you was capable." allowed to take the stage at the Sunset, the Also, their cover prices are affordable. In: This page was last edited on 1 March 2023, at 18:19. el diablo food truck fort collins. their respective owners. ), Jay McShann, and others who played the city's raucous clubs, Kansas City became a smorgasbord for music lovers. The Benny Goodman Orchestra found its audience through national radio broadcasts. Why did Olympe de Gouges feel the need to write her declaration? [2] According to the songwriter Doc Pomus, "Rock and roll would have never happened without him."[2] While he had his greatest fame during the 1950s with his rock and roll recordings, particularly "Shake, Rattle and Roll . Transcontinental trips at the time, whether by plane or train, often necessitated a stop in the city. They knew it up North and they knew it down South.[5]. Paige C:Shishito peppers are my fav! Troy Floyd's Shadowland Orchestra. feature soloists and highlight individual expression. Wails." Open Bluegrass Jams. smaller ensemble led by pianist Bill Basie. by Twelfth Street on the north and Eighteenth Get Scalawag's latest stories and a run down of what's happening across the South with our weekly newsletter. Surviving businesses and clubs lost their patrons, and many of them shut their doors, accelerating the collapse of the city's music scene. In 1936, Parker sat in at jam session at the legendary Reno Club and musically faltered while soloing on Honeysuckle Rose. Which technique would Wellman Braud use in the Duke Ellington orchestra in order to blend the sound of his bass with the winds? Kansas City's new airport terminal carries on the legacy of a 10-year-old who fought for inclusivity, Want to explore Waldo? Blue Springs, Missouri. The club is named after a famed 1930s hotel club that once held court in the district. Check the Blue Room's calendar for current listings. It was not uncommon for one "song" to be performed for several hours, with the best musicians often soloing for dozens of choruses at a time. Jazz Style in Kansas City and the Southwest. Kansas City jazz bands made extensive use of head arrangements, which were improvised and memorized but not written down. and donations are tax-deductible. contrast, Kansas City jazz is known for its break. Pendergast was no crusader for racial justice, but he recognized that the city's Black were vital to the community, ranging from the Kansas City Monarchslongest-running franchise in the history of baseball's Negro leaguesto segregated schools that "were much better than they had any right to be," said future NAACP Executive Director Roy Wilkins in his autobiography Stand Fast, "Because Negro children and parents simply refused to be licked by segregation,". The Pitch:Everything from Latin Jazz to Blues makes the Blue Room a good venue for live music. The Piano Room. The clubs were largely owned by whites, but many were run by Black managers. He pork chop was amazing! corrupt politicians exploited the lucrative network Louis Armstrong took a controversial public stand on which civil rights issue? Congratulations to all of the nominees & winners of the 2nd Annual KC Jazz Ambassadors Meeting and JAM Awards Presentation ! On Jackson Street, where neon signs once dazzled and trombones blared, many of the clubs have shuttered, and the vibrant District is now an overpolished relic of what was. The second part of the reissue features the 1944 Kansas City Six in which Young (sticking to tenor) and trumpeter Bill Coleman are joined by a three-piece rhythm section and trombonist Dickie Wells. The Blue Room, part of the American Jazz Museum in the historic 18th and Vine Jazz District, brings Kansas Citys storied jazz past to the present. In Denmark during World War II, jazz was understood as a form of Nazi propaganda. Slow-smoked barbecue and Louisiana favorites. incorporated varied rhythm and vocal timbres. located in midtown Manhattan, near Times Square. Which of the following parts of America's entertainment infrastructure formed in late-nineteenth-century New York? All of the following describe the serious jazz fans of the Swing Era EXCEPT: They bought all of their records directly from the artists. dominant instrument. The center of the African American community, a few blocks away at 18th and Vine, was also known as a place for jazz. Street on the south. While dining or savoring cocktails and wine at the bar, guests can relax to the sounds of guitarist Jeff Freling, pianist Peter Schlamb and guitarist Matt Hopper. Louis Armstrong changed the way jazz musicians improvised by. KC's Favorite Jazz Artists Win Jam 2022 Awards. Historians say that jazz was born in New Orleans. [1], Thus, Kansas City is known as one of the most popular "cradles of jazz". "Jammin' the Blues" presents a raw, unedited jam session. Their names are Josh and shucks can't remember. He "evened out" the pulse, presenting four equally accented beats per bar. Boston, Massachusetts: Flourishing in the Forties and Beyond. Most of Duke Ellington's larger works from the 1950s carry Billy Strayhorn's name as cocomposer. Mary Lou Williams summed it up nicely: Hawkins was king until he met those crazy Kansas City tenor men. no sight in one eye, very little in the other. In some clubs a rhythm section was installed, and guest musicians were encouraged to sit in. What advantage did riff-based head arrangements give Kansas City bands in competitive situations? THE WARWICK THEATRE. dance-friendly Kansas City swing style would By establishing a strong jazz style on the instrument, he ended its previously comic or novelty image. style of New Orleans, which was distinguished Businesses run by Pendergast or his associates won contracts from the city and then from the federal government, simultaneously lining his pockets and giving him access to money which could purchase loyalty and favors. Why are Kansas City-style compositions referred to as head arrangements? By the 1950s, the city was using slum clearance in the area around 18th and Vine to tear down existing housing and businesses, displacing the overwhelmingly African American residents. Mike L:Best seared salmon I've had in my entire foodie life. Kansas City became a vibrant center for African American Life. J. Emile Johnson:If they have the corn and bacon chowder as the soup du jour, get it! Pianist Bram Wijnands, who hails from Holland, made his local debut as a hard-driving swing jazz artist in 1991. boogie-woogie piano players like McShann For somebody who has never lived in the South, he's obsessed with its cuisine, music, history, and culture. . Download Foursquare for your smart phone and start exploring the world around you! The vibrant District is now an overpolished relic of what was. Lucifer is said to have been the angel in charge of the heavenly choir, and those same dens of sin needed music. Just do it. . As a "race man," Duke Ellington supported segregation. This year marks the 11th season of Strings on the Green, an outdoor live jazz series performed on the patio overlooking the Plaza. Because many of the early practitioners Which of the following Fats Waller compositions became an all-time favorite standard at jam sessions? jam session was word of mouth. This did not immediately kill the 18th and Vine District, but it was weaker than it had been. Two spring rolls with some pasta salad. ". the peak years, the city boasted several hundred Allie M.:This place is amazing, trust me. The outside world hadnt heard of them yet but they had developed into brilliant players while under the cloak of the Pendergast-controlled Kansas City nightlife. for income tax fraud, Pendergast virtually controlled Among the great stride virtuosos of the 1920s was _______, a pianist whose composition "Carolina Shout" became a test-piece for the New York elite. Today it is easier than ever to locate the right jam session for you. The Swing Era was defined by a focus on small-group jazz. were Lester Young, Coleman Hawkins, of Kansas City jazz were traveling musicians Kansas City Jam Sessions; Events. No matter what Hawk played he couldnt top Lester. More than 40 area nightclubs feature jazz on a regular basis. Arrive early to secure a seat, especially on weekends, as many late sessions attract a standing-room-only crowd. from the road, to hire new band members Each of the following skills was expected of all swing musicians EXCEPT: Which rhythmic feel became the standard for swing music? A preference for a 4/4 beat over the 2/4 beat found in other jazz styles of the time. the Kansas City jazz style was Bennie Moten's This meant that anything was up for sale in Kansas City, as long as Pendergast got his take. to reveal that jazz elements could form the foundation of highbrow art music. The Kansas City Jazz Ambassadors, Inc., Incorporated as a 501 (c)3 in 1984, was created as part of the Kansas City Jazz Commission by then mayor Richard L. Berkley, and is the city's oldest nonprofit governed by an operating board of volunteers. The Count Basie signature tunes ". Zeb Larson is a historian and writer currently based in Columbus, OH. . was later expanded to become the Count Basie As the era of "Pendergast prosperity" ended Guitarist who showed the expressive range of the electric guitar, Drummer who moved the primary pulse from the bass drum to the hi-hat cymbal, Pianist of unparalleled dexterity and virtuosity, Bassist who would scat-sing while playing solo lines with a bow, Bassist who recorded the first melodically and rhythmically free solos on the instrument. jam sessions, or cutting contests, among miami beach convention center testing hours; schoolcraft spring break 2021; yegor malinovskii wife; labellas cheektowaga ny menu. Live jazz & blues five nights a week. The Kansas City sound was largely instrumental, According to Wynton Marsalis, the drummer is the one in the rhythm section most responsible for time. The Lindy Hop was named after Lindy Buchanan, the daughter of the Savoy Ballroom's owner. musical backgrounds they conceived and gave Jo Jones's great innovation was that he transferred the beat from the. All of the following describe Duke Ellington's compositional process EXCEPT: Though Duke Ellington was nominated for a Pulitzer Prize in 1965, who was given the award that year? This group is just to inform those interested in where to find local KC jam sessions & open mic nights. If you're looking for a hip, happening spot to catch evening and late-night jazz sessions, head to Green Lady Lounge in the Crossroads. riffs; and was performed by big bands. Reviewed: Kansas City Lightning: The Rise and Times of Charlie Parker. From the simplest of riff patterns, developed in the heady atmosphere of Kansas City jam sessions, an arrangement like Sent For You Yesterday would emerge, complete with fine solos and propulsive section work, the momentum supplied by one of the most perfect rhythm teams in all of jazz. Tons of fun. As a member of Scalawag, you'll support our nonprofit journalism and storytelling online and in-person Learn More! Extended soloing. Always fresh produce, plenty of organics in the aisles and of course the liquor! Kansas City became a vibrant center for African American Life. The New York scene during World War II was famous for its after-hours jam sessions. Among the clubs were the Amos 'n' Andy, Boulevard Lounge, Cherry Blossom, Chesterfield Club, Chocolate Bar, Dante's Inferno, Elk's Rest, Hawaiian Gardens, Hell's Kitchen, the Hi Hat, the Hey Hay Club, Lone Star, Old Kentucky Bar-B-Que, Paseo Ballroom, Pla-Mor Ballroom, Reno Club, Spinning Wheel, Street's Blue Room, Subway, and Sunsetx. As the Kansas City Call reported, "Many who were unable to gain entrance into the church formed a line on both sides of the street for blocks to view the procession as it passed. Chuck Haddix, author of Kansas City Jazz: From Ragtime to Bebop. Orchestra. Born in Alabama in 1880, Pinkard had arrived in Kansas City by about 1917. 1940 to 1942, Parker toured and made his first In his place came reformers committed to "good government," which meant trimming the city's budget, ending the graft, restoring property tax values, and cracking down on crimes that Pendergast had not enforced. By the early 1940's, jam session activity had coalesced around a cluster of clubs on 52nd Street in Manhattan, places like Minton's Playhouse, Monroe's Uptown House, The Three Deuces, the Onyx Club and . The most famous Kansas City jam session legend took place at The Cherry Blossom club which was a few steps north of 18th and Vine. last players were ready for bed or breakfast, This further contributed to the loose, spontaneous Kansas City sound. Do yourself favor and have both. When individual notes of a chord are played one after another it is called, All of the following are aspects of Louis Armstrong's legacy. for the CD. Stylish attire isn't required, but musicians and staff are dressed to the nines making guests feel snazzier as they sip on cocktails and sit mere feet away from the action on stage. from the growing stable of players, or to sample The hard-swinging, bluesy transition style is bracketed by Count Basie, who in 1929 signed with Bennie Moten's Kansas City Orchestra, and Kansas City native Charlie Parker, who . Which Swing Era bandleader played trombone, used clarinet as the lead voice of his saxophone section, had great success with simple, melodic arrangements, formed a military band, and died in an accident while flying over the English Channel in 1944? To please dancers, they could extend a tune as long as necessary by adding new riffs and solos. Ben Webster, Herschel Evans, Chu Berry, This was a fragile ecosystem, and it soon collapsed under neoliberal impulses we would recognize today: a heavy police presence, so-called "good government," and a singular obsession with creating wealth through property values. Riffs were often created - or even improvised - collectively, and took many forms: a) one section riffing alone, serving as the main focus of the music; b) one section riffing behind a soloist, adding excitement to the song; or c) two or more sections riffing in counterpoint, creating a rousing, complex sound. Kansas City jazz is distinguished by the following musical elements: Each year Kansas City celebrates "Jazzoo" - a charity fundraiser dedicated to Kansas City jazz and raising funds for the Kansas City Zoo. to perform variations based on a song's harmonic structure. The best place to hear music was the neighborhood known as 18th and Vine, east of downtown. by Stanley Crouch. Pete Dulin is a Kansas City-based writer and author of four books, including Expedition of Thirst and Kansas City Beer: A History of Brewing in the Heartland. Katie Czuczejko Paynter:Best grocery in KC. Barbara Donnelly:I love the croissant with strawberry jam for breakfast. Trios of artists abound here, led by Danny Embry, Rod Fleeman, Ken Lovern, Jeff Shirley, Tyrone Clark and more. 1 like. Volunteer; Donate . Country musicians who incorporated elements of swing into their music began a new style referred to as: Fats Waller was known as a subtle and expressive interpreter of ballads and blues. Devils, George E. Lee's Novelty Singing Orchestra, "Fine and Mellow" uses blues inflections and harmonies, but does not follow the 12-bar blues form. to the driving swing sound associated Dana Goldy:Prompt service, very inviting atmosphere and staff that brings it all home. In 2021 he was appointed a Chevalier de l'Ordre des Arts et des Lettres. true. Tiffani Dixon:I really enjoyed the Moscato and the Lambrusco! Artie Shaw resented that his fans continually requested to hear the same hit songs. blues patterns, were rehearsed and Dre Box:White chocolate soy mocha is the jam! technique, the time-keeping function of the Hawk would call hard keys and that eliminated quite a few challengers right off the bat. A heavy blues influence, with KC songs often based around a, One of the most recognizable characteristics of Kansas City jazz is frequent, elaborate riffing by the different sections. KCUR serves the Kansas City region with breaking news and powerful storytelling. Start with this beginner's guide to the neighborhood, Local public health officials fear a Kansas bill would undercut work to contain diseases, A federal lawsuit against Missouri's 'dysfunctional' SNAP call center has gotten bigger, Iconic Saxophone Of Charlie 'Bird' Parker Comes Home To Nest At Kansas City's Jazz Museum, Kansas City Man Turns Backyard Into 'Jam Session Extraordinaire' For Musicians And Fans During COVID, A Guide To Kansas City-Area Mask And COVID-19 Vaccine Policies, Musician Kemet Coleman Unveils Plan To Open A Brewery In Kansas City's Jazz District. So-called "head arrangements". Boogie-woogie piano creates an insistent eight-beat rhythmic feel. Which musical entrepreneur and activist motivated Benny Goodman to perform with an integrated small group? often stopping in Kansas City for a respite Fueled by the non-stop nightlife under Political Boss. opportunities proliferated in theaters, dance Jazz Ambassasor Meetups; Join/Renew. In the early decades of the twentieth century, the technical advances of bassists far outpaced the development of other rhythm section instrumentalists. From disparate kansas city jam sessions were famous for: mens lower stomach tattoos for guys. Kansas City jazz evolved as performance Established in 1947, Wally's is an institution for live acts in an intimate atmosphere. He revealed the broad expressive range and lyricism that the electric guitar could produce. Jazz Vocalist Nnenna Freelon on Black love, grief, and her album 'Time Traveler'. A very tight squeeze without the outdoor space. These clubs had previously been criticized for their "loose elements," and once their economic value was deliberately destroyed, they could simply be bulldozed. Johnson was a percussive pianist whose work found recognition in the boogie-woogie craze of the late 1930's. Joe Turner owned several musical incarnations, charismatic shouter in Kansas City in the 1920's, New York solon darling in the 1930s, rock & roll pioneer in the 1950's (recording "Shake Rattle & Roll") and "Boss of the Blues . ground for musicians to learn their trade and of California Press, 1971. See Johnnie's entire lineup here, which includes performances by Havilah Bruders Trio and Millie Edwards, as well as Brian Ruskin the son of local jazz pillars Tommy Ruskin and Julie Turner. competitions in which jazz musicians would try to outplay each other. The clubs were largely owned by whites, but many were run by Black managers. Gene Krupa became famous for his tom-tom solo on the Goodman band's "Sing, Sing, Sing.". Which physical disability did Art Tatum have? St. Matthews United Church Of Christ Usually the 1st. nights. The destruction of music venues in the name of law-and-order or urban renewal is not unique to Kansas City. In conjunction with the old fear of crime, the District was seen as a different kind of threat to the city: "blight." First Last. Elaborate "solo" lines played by an entire section in block-chord texture is called a, Fletcher Henderson's arrangements relied heavily on, simple riffs as well as call-and-response patterns. Wendy Abshire:Had a delicious sandwich with bacon jam. Jerry Newman recorded many jam sessions at Minton's Playhouse using a transcription disc recording lathe. transformed the social music of New Orleans into an art. Chaz Restaurant and Lounge, tucked in the lower level of The Rafael Hotel on the Country Club Plaza, is another low-key spot to enjoy jazz from a wide range of artists. I was in a rhythm section one night when this cocky kid pushed his way on stage. hotbeds, Kansas City jazz emerged in the early Crackdowns on illegal gambling also killed an important revenue stream for venues and threw them out of business, while the war meant fewer travelers coming to Kansas City. clubs. Jay McShann told the Associated Press in 2003: You'd hear some cat play, and somebody would say "This cat, he sounds like he is from Kansas City." MONDAY. In some clubs a rhythm section was New York: St. Martin's Press, 1988. Kansas City jazz is a style of jazz that developed in Kansas City, Missouri during the 1920s and 1930s, which marked the transition from the structured big band style to the much more improvisational style of bebop. KANSAS CITY, Mo. Driggs, Frank. . to friends and relatives and subtly encouraging With Pendergast's fall, a number of the clubs in Kansas City were all targeted and began their decline. recordings, although he is better known for Why did Gene Krupa leave the Benny Goodman band? Carl Perkins became legendary as the godfather of rockabilly, and Jerry Lee Lewis, the only surviving member as of 2020, is the most . 1 month ago. In which performance venue was Duke Ellington "at the height of his creative powers"? Like its counterparts in other urban cultural still within easy walking distance were the In what way was the Lindy Hop more "African" than the popular dances that came before it? Drummer Jo Jones showed his displeasure by tossing his cymbal at Parker's feet. And thanks to the UMKC Jazz Band, under the direction of Carl Allen, for entertaining us, to Johnnie's & to everyone who came out that night! TUESDAY. Name. Oh well you'll just have to dine at Affare to find out. There were but four major galaxies in the early jazz universe, and three of them New Orleans, Chicago, and New York have been well documented in print. Phillip:The deep dish chocolate chip cookie ROCKS! Which does NOT describe Basie's "New Testament" band? What style of jazz did the Benny Goodman Orchestra perform? Fat Matt's isn't all that secretit keeps regular hours and will serve anyonebut too few people know about this unique bar in a converted funeral parlor in KCK, which still has a crematorium in the basement. 411 N. Sixth St., Kansas City, Kansas. sessions. Open 10 am-2 am daily. Social gatherings that took place in Harlem living rooms and featured stride pianists were called, This bandleader, widely known as the "King of Jazz," was an early pop superstar who championed "symphonic jazz. exemplified by early members of the Basie The city was teeming with Black celebrities. This isn't Publix, but it sure feels close to one! All of the following instruments are included in the swing rhythm section EXCEPT: Which was NOT a typical role for a pianist within a swing band? Locally owned and operated. Big Joe Turner (Joseph Vernon Turner Jr., Kansas City, Missouri, May 18, 1911 - Inglewood, California, November 24, 1985) was an American blues shouter.. that performed throughout the Great Plains Yes, bacon jam! They knew it on the East Coast. Because of their larger size, transcription discs enabled higher fidelity playback. Local Ruckus:Oh, the food was fabulous second only to the service provided by this handsome duo. A typical night out at the Reno would last until first light dawn, with the jam-packed audience feverishly doing the lindy hop or the jitterbug amid clouds of tobacco and marijuana smoke. Moreover, many of those who had been displaced were moved into highly segregated public housing, which soon became deeply impoverished. In other venues the sessions would begin after the regular evening's entertainment had ended and continue until the last players were ready for bed or breakfast, which was served at many local diners . This musician recorded more than 500 records and succeeded as a composer on Broadway and as an entertainer in movies. performing with a rhythmic energy that was quickly imitated. Box, Elks' Rest, and the Old Kentucky Bar- when Art Tatum entered the club where he was playing? Also contributing KSDS-FM website developed by NetChain Communications and hosted by NetChain Web Framework. and San Antonio, from Omaha and Wichita, Collectively, Count Basie, Walter Page, Jo Jones, and Freddie Green were known as "The All-Star Rhythm Section. They provided a pool of talent for national bands. influenced popular and country performers with his phrasing and spontaneity. In the late 1930s, no one could afford to go to the movies. By 1975, the Kansas City Star described 18th and Vine as "a ghost town, complete with its urban tumbleweedsbroken glass, potholes, cracked sidewalks and boarded-up buildings." Kansas City's Local 627, which was the African-American Musicians Union, was founded in 1917 and became known . One notable venue remains from this era: Wally's Caf Jazz Club. After hours jam sessions started to spring up all over the district and those nightly . Ironically, Kansas City's golden age began to wind down because of Pendergast, the same man who was in part responsible for its growth; his corruption was simply too much to ignore. The stride pianist _______ was so innovative, with complex chromatic harmony and chord substitutions, that modern musicians like Charlie Parker and Charles Mingus listed him as an influence. Even before the New Deal won over many African Americans to the Democratic Party, Pendergast made sure that his constituents got some of the patronage and welfare he disbursed in order to keep the money coming in. The earliest and most important exemplar of - See 111 traveler reviews, 55 candid photos, and great deals for Kansas City, MO, at Tripadvisor. which was served at many local diners catering He feuded with Missouri Governor Lloyd Stark, who then supported federal investigations into organized crime in Kansas City. the standards "Moten Swing" and "Prince of During a stint with McShann from DoubleDeuce:Arcade games and plenty of outdoor seating. In the Historic Garment District, near the Majestic, The Phoenix is home to a restaurant and jazz and blues club. related to the blues. By strict musical standards, the songs themselves were unrefined and not much removed from existing blues music. Atlanta's YSL (Young Stoner Life) project has been about place-making as much as it's been about making music. The unique Kansas City Similarly, Robinson, J. Bradford. In 2011, Jazzoo was one of the Nation's largest charity fundraisers, raising over $800,000.[7]. Great place to unwind. Coon-Sanders Original Nighthawk Orchestra, "Jay McShann, 90, Jazz Pianist, Bandleader and Vocalist, Dies", "JAZZ A Film By Ken Burns: Places Spaces & Changing Faces - Kansas City", "KCMB Kansas City News: Jazzoo 2012 Charity Event Kansas City News", "Half.com: Cradle of Jazz Sampler by Various Artists (CD, Feb-2000), The International Music Co. (German): Various Artists: Music", https://en.wikipedia.org/w/index.php?title=Kansas_City_jazz&oldid=1142311279, Short description is different from Wikidata, Creative Commons Attribution-ShareAlike License 3.0.